Director Ben Wheatley has never been known for conventionality, but High-Rise throws the rule book off of the 30th floor without a hint of remorse and a sly grin on its face. Through these rooms, corridors and supermarket aisles, Laurie Rose’s camera moves with Kubrickian elegance, a sea of people flowing through the building in the choreographed fashion of Terry Gilliam’s Brazil. That day-to-day life progresses from the typical to the strange as the building's residents begin to torment one another, and class differences lead to violence and disintegration of the community. Some of the Chaotic Cinema Facebook page's favourite films, ***EDIT (March 30, 2014)*** Wow! Platformlar Vizyondaki Filmler Yakında ... Orijinal İsmi: High-Rise. ‘Magnificently slippery’: Tom Hiddleston as Dr Laing in High-Rise. Eddig 1295 alkalommal nézték meg. Someone please shoot me in the face before I see another film as atrocious as this one. Meanwhile, up in the penthouse, Anthony Royal (a sneeringly regal Jeremy Irons) lives in rooftop isolation, the building’s architect and “midwife”, a man who designed this hellhole as “a crucible for change” and thinks it may become “a paradigm” for future developments. The visualization is crisp, definite, but discreet enough to not immediately provoke a scurrying to the exits. Üye Girişi Bildirimlerim. Ben Wheatley’s clever adaptation of JG Ballard’s ‘unfilmable’ book offers a creepy, future-retro vision of a society riven by wealth. And yet I still keep giving him chances. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Last modified on Wed 21 Mar 2018 20.03 EDT. Y cuanto màs tiempo pasa en la peli,se nota la pelea entre gente rica y pobre,viviendo en el mismo lugar. Now writer Amy Jump and director Ben Wheatley have finally succeeded where others failed. Allegorical, satirical, and only partially enjoyable, Ben Wheatley's "High-Rise" is violent thriller whose story's lack of narrative ballast prevents the experience from reaching worthy highs. Con Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans, Elisabeth Moss, James Purefoy. © Letterboxd Limited. Luke Evans’s Wilder provides the bestial element, a predatory film-maker who wishes to both stoke and document the class war into which the building descends, mirrored by the groaning slo-mo demise of a talismanic falling man. R | 1h 59min | Drama, Sci-Fi | 28 April 2016 (USA) 1:16 | Trailer. Nad Temžou sa týči krásny bytový komplex. Behind that smile there’s something creepy, or tragic, or both, suggesting he is indeed a self-contained danger, “hiding in plain sight”. Trying to review High-Rise is like trying to review films I watched while stoned. Ballard's 1975 tower-block thriller provides a retro battlefield in which Brit genre rebel Ben Wheatley can run amok. 80/100. Yeni bildirimin yok! 7 talking about this. 2015 Not having seen anything by the director, particularly the much adored and much maligned A Field In England, I was intrigued. Internally, they have the whiff of the Starliner Towers apartments from David Cronenberg’s Shivers, while the mirrored lifts and artificial idylls of the penthouse suite cheekily echo the Vortex from Zardoz. Because…. Instead of being an interesting near-future mystery that it could have been, it goes down the exact same path as so many recent dystopian films have gone. Pardon the pedantry... Post-modern indictment of neo-liberalism that uses high rise living to function as both a societal microcosm and as an entity that embodies the psychological state of those living within. Most astutely, Wheatley and Jump situate the action in the 70s fog of the source, presenting a vision of the past seen from the present, looking towards the future. “High-Rise,” the new film directed by Ben Wheatley from a script by his regular collaborator (and wife) Amy Jump, begins with this scene, even with this sentence recited in voice-over. There is a wonderful moment midway through High-Rise that sums up perfectly its savage satirical thrust. Toronto Film Review: ‘High-Rise’ 'Crash' novelist J.G. As much as I love films that gradually dive into madness, I don’t think I fully grasped the social commentary that this film throws down. Esta película es como cuando alguien te quiere contar algo pero no sabe hacerlo bien. Wer an das Gute im Menschen glaubt, ist hier definitiv an die falsche Adresse geraten. Yet High-Rise tries…, Reason for pick - because CindyT told Lise we should watch it, despite the fact that Lise hated A Field In England. Pretty self-explanatory, "older films" must've come out at least 20 years ago. and every time i thought i had a handle on this, it wrangled out of my grasp... but happy to get all knotted up with it again. Der Film feierte am 13. September 2015 beim Toronto International Film Festival Premiere und kam am 30. High Rise - Un film di Ben Wheatley. En cuanto a diseño y arte,es perfecto. Heck, I think even I'm misunderstanding it at the moment. Life for the residents of a tower block begins to run out of control. Leben im Wolkenkratzer – kein Wunder, dass bei so vielen Menschen Konflikte entstehen. Clint Mansell’s brilliant, woozy score is at once sensual and unsettling, channelling the mood shifts of Berlin-era Bowie (jarringly intercut with classical pop), while Portishead’s mortified version of Abba’s SOS is used to horrifying effect. wow man this movie is like, so deep. His last film, High Rise, was about societal meltdown. Film data from TMDb. I’d be delighted to be proven wrong though. High-Rise review – black humour and horror. Gökdelen filminin özeti, yorumları, oyuncuları ve seansları hakkında bilgilere ulaşmak, film fragmanını izlemek için tıklayın! As the decadently fractured Charlotte Melville, who peers down upon Laing from the balcony above, Sienna Miller combines charisma with an air of impending catastrophe. Essentially a toxic, wonky mix of Tati and Gilliam, it shines across the screen like a sunny satirical nightmare, but the punch line is delivered right away and nobody's laughing. If you like (2010's movie) watch (older movie), I’m in my room alone bored and I will be making a list of every movie that comes to my mind until I get bored with that, The Weirdo's Videostore (aka The Weirdos Paradise). But then, in dutifully hitting its marks, 'High-Rise' becomes monotonous – a prisoner to its own gruesome escalation. Director Ben Wheatley realized a past in much the same way that Terry Gilliam realized a…. The end of our relationship. That is how Ben Wheatley's dystopian thriller 'High Rise' cycles through nearly two hours of unease for Tom Hiddleston's character Dr. Robert Laing. An intoxicating parable driven by glamour and insanity. A whole lot of complete arseholes being horrible to each other, with their motivations…. Tom Hiddleston Sienna Miller Jeremy Irons Luke Evans Elisabeth Moss Reece Shearsmith Peter Ferdinando Daniel Renton Skinner James Purefoy Stacy Martin Keeley Hawes Sienna Guillory Augustus Prew Julia Deakin Tony Way Leila Mimmack Bill Paterson Enzo Cilenti Louis Suc Emilia Jones Neil Maskell Alexandra Weaver Victoria Wicks Joseph Harmon Dylan Edwards Toby Williams Siobhán O'Kelly Maggie Cronin Patrick Fitzsymons Set in 70's Britain, Hiddleston's character moves into a new luxurious high-rise apartment building that slowly morphs from its tiered social system into mad chaos when things slowly start to go wrong for its inhabitants. You bludgeon the viewer with protracted scenes that pretend to care about the characters. High-Rise is a 2015 British dystopian film directed by Ben Wheatley, starring Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans, and Elisabeth Moss. Except I wasn't stoned while watching High-Rise. High Life is a 2018 science fiction horror film directed by Claire Denis, in her English-language debut, and written by Denis and her long-time collaborator Jean-Pol Fargeau. But…. Its structure, built out of aimless encounters and sudden musical flourishes (the soundtrack and sound design is spine-tingling), doesn't allow for typical social class tension, but the sublime editing induces it onto the viewer; a flurried waltz of dogs and glass and penises and wine unfolding like a glitzy…, As we have gradually and suddenly settled into our current dystopian future, around us unseen lay the corpses of discarded potential dystopias, lost as the hazy outlines cease to blur and come into sharper, solid focus. Probably the riskiest thing mainstream audiences will see this decade. High Rise izle 2015 ABD Aksiyon, Bilim Kurgu, Dram, Gerilim türündeki yapımı Türkçe Altyazılı, Türkçe Dublaj hd kalitede hdfilmcehennemi den izleyebilirsiniz. Thanks to Wheatley and Jump’s boldly cinematic take on Ballard, we can all see what Toby sees – and what a dizzying, disorienting, dystopian vision it is. Wheatley develops a compelling premise but is unable to fill it with anything of narrative…, Begin at the end, go back to the beginning, come full circle and end at the beginning. The film has the same problem as many of Ballard's books. People are going to be misunderstanding this for years. IMDb For when you want to wallow in despair. How different it all looks as we flash back to three months earlier, when the young doctor first strode these clean, brutalist interiors (production designer Mark Tildesley creating sets and dressing locations in Northern Ireland to superb effect). O bloku, w którym mężczyźni mają częściej penisa między udami sąsiadki, niż obiad w ustach. Stylistically, this evocation of a world “prone to fits of mania, narcissism and power failure” is spot-on; you can smell the smoke and booze in which everyone is marinated, unhinged adults behaving like unruly children, a glimpse of an Action comic (“Kids rule OK!”) offering a sly nod towards Wheatley’s formative influences. Life for the residents of a tower block begins to run out of control. A(z) "High-Rise (2015) Feliratos" című videót "Pusztai Panni" nevű felhasználó töltötte fel a(z) "film/animáció" kategóriába. People divided by worth based on what floor they live on, division among the different factions in a power struggle, eventual inevitable chaos- all the major earmarks are here. Director Ben Wheatley has never been known for conventionality, but High-Rise throws the rule book off of the 30th floor without a hint of remorse and a sly grin on its face. Life for the residents of a tower block begins to run out of control. The…, hamburger splash 1,836 films 13,393 98 Edit, Darren Carver-Balsiger 944 films 19,646 1404 Edit. Se lía con detalles sin importancia, otras cosas las cuenta de forma atropellada, te cambia dos o tres veces de tema sin venir a cuento y al final del todo dice "no me acuerdo de qué te estaba hablando".Te gustará si te apetece ver una sucesión de videoclips o quieres ver a Tom Hiddleston. Directed by Ben Wheatley. Wheatley's glam isn't as precise a cutting tool as Ballard's crystalline language but as a gleefully poppy, selectively faithful surface reading of the text this is still a blast. It all just folds together into this mush of stuff that doesn't end up being anything of any substance. Durata 112 min. Cocktail parties degenerate into marauding attacks on 'enemy' floors and the once-luxurious amenities become an arena for technological mayhem...In this classic visionary tale, human society slips into violent reverse as the inhabitants of the high-rise, driven by primal urges, recreate a world ruled by the laws of the jungle. This review may contain spoilers. I wasn't disappointed. From the outside, the towers are impressively monstrous, the angular break of their upper floors turning them into giant lizards craning at the sky, like the cover of Steely Dan’s The Royal Scam. Tobias Andersen 8,758 films 18,501 808 Edit, Rules: Generate a number (from 1 to x) via: www.random.org, See how many number of films there are in the…, A very rough list of eccentric cerebral films - films that are consisted of many wonderful imaginative ideas and creations,…, Just a list of some pretty cool movie posters on the LB database. JG Ballard's 1975 book High-Rise is one of my favourite novels. It is out of the partial emergence and entire deaths of these potential futures that our own comes to be. Think about it, the fantastical vision of one prejudiced, difficult man that capitalises on the ambitions, aspirations and elitist yearnings of the public who immerse themselves so deeply into his dream that they fail to see how much the rot has set in. Ver esta película a 10 meses del confinamiento hizo que fuera para mí muy difícil. [5] [6] Its screenplay was written by Amy Jump and based on the 1975 novel High-Rise by British writer J. G. Ballard. or at least ALMOST entirely single location. Il lato oscuro di un condominio apparentemente tranquillo. Nicolas Roeg famously wanted to adapt Ballard’s book as long ago as the late 70s, and since then umpteen directors and screenwriters have been variously attached to the increasingly “unfilmable” title. But it's so vivid a vision that I can't help but think that Wheatley knew exactly what he was doing with this mad, hot mess of a movie. "Right! High-Rise ein Film von Ben Wheatley mit Tom Hiddleston, Jeremy Irons. Synopsis : 1975. But, I get the sense he may be a one-hit wonder, “style over substance” type guy. How do you fuck up J. G. Ballard so badly? This is essentially Snowpiercer, but in a tower. (Art Film Fest) Londýn, 1975. High-Rise ist ein britischer Science-Fiction-Film von Ben Wheatley und eine Verfilmung des 1975 erschienenen dystopischen Romans High-Rise des britischen Schriftstellers James Graham Ballard, der 1982 unter dem Titel Der Block und 1992 unter dem Titel Hochhaus auf deutsch erschien. Here's a tip: Ballard didn't flesh out his characters…. Starring Tom Hiddleston, the film is not without its strengths. Surreal metaphorical absurdism. In einem futuristischen Wohnkomplex westlich Londons bricht Mitte der 70er Jahre aber gleich der Krieg aller gegen alle aus. Juni 2016 in die deutschen Kinos. Eileen Davies Kenneth Hadley Patrick Buchanan Colin Ash Colin Carnegie Michael Condron Richard Croxford Graham Duff Matt Faris Karen Hassan Monique Kelly Faolan Morgan Chris Patrick-Simpson Sara Dee Fenella Woolgar, Jeremy Thomas Gabriella Martinelli Peter Watson Sam Lavender Christopher Simon Geneviève Lemal Anna Higgs Thorsten Schumacher, Frank Walsh Nigel Pollock Heather Greenlees, Ingenious Media HanWay Films SCOPE Pictures Recorded Picture Company Northern Ireland Screen, High Rise, No Topo Do Poder, 하이 라이즈, 하이라이즈, 119 mins   i should have done more research about this before i watched it bc it reminds me of Snowpiercer or The Platform and i did not enjoy those so i probably shouldn’t have watched this. Starring Robert Pattinson and Juliette Binoche , the film focuses on a group of criminals who are sent on a mission to travel on a spaceship toward a black hole while taking part in scientific experiments. De entrada todos los personajes son la cosa más tóxica que puede haber en el mundo, luego, la crueldad animal está desde los primeros hasta los últimos minutos de la película, y finalmente el ambiente de descomposición que se va percibiendo conforme avanza la trama me hicieron una verdadera prueba de resistencia ver esta película. Novej vlny sci-fi, autora románov ako Búračka, Ríša slnka či Betónový ostrov. Report this film. It both respects and realigns the themes of Ballard’s novel, while marking the material out as distinctively their own. The film doesn't operate by literal logic. That there was a Technocratic Vision of paternalistic rational planning, of a civilization engineered according to the latest passing totalitarianism, the 'capitalism of…. There's some kind of mind control at work here. Recs welcome! It's pretty much impossible because I remember so little about it, so few scenes stick out in my memory. ok but why didn’t they just leave? Y sin embargo no me pareció mala, aunque creo que es de esas películas más esmeradas en el diseño de arte (genial), en encuerar gratuitamente a Tom Hiddleston (genial también), en demostrar que la edición típica del videoclip noventero puede aportar para generar estados alterados en el cine y en mostrar un humor negro más negro que humorístico. Primarily based on director's influences and recommendations. “What can you see through that thing?” Laing asks Charlotte’s precocious young son, Toby, as he peers into a toy kaleidoscope. It's quite ironic that Elizabeth Moss understands High-Rise enough to take a role in it, yet fails to see the comparison with the 'faith' she belongs to; Scientology. what was stopping them? It’s wild, narratively all over the place, and shocking for the sake of shock. Mobile site. "High-Rise" is decidedly low budget. 5 VIDEOS | 275 IMAGES. Fantascienza, Gran Bretagna, 2015. “For all its inconveniences, Laing was satisfied with life in the high-rise…” This screen adaptation of JG Ballard’s prescient 1975 novel about disintegrating life in a “luxury” tower block has been a long time coming. (pssst, Cindy ... watch your back .. Lise is in a mood, and it's not a good mood ... she's convinced herself that this was your revenge for A Strange Little Cat ). On its most basic level—narrative—it doesn’t quite work. High-Rise opens in a state of feral squalor, with Laing preparing to feast on barbecued dog like some adult survivor in Lord of the Flies, his apartment resembling the bomb-site aftermath of an appalling apocalyptic party. But this really has got to be it. as always, suggestions welcome! filme ruim mas o tom hiddleston eh gostoso, Honestly no idea how I feel about this other than I liked it. Genuinely, think about it, because she clearly didn't. [4] It was produced by Jeremy Thomas through his production company Recorded Picture Company. Mark Kermode's film of the week High-Rise. In Ghostbusters (1984), the roof of a high-rise apartment is turned into the gateway to another, hellish, dimension (Credit: Columbia Pictures) Still, Sartre was only half right, even in the 1940s. The high rise is meant to be a Utopia but in its class structured design it fails, and soon falls into anarchy, poverty, violence. "High-Rise" to film o bloku, w którym nie przedstawiasz się nazwiskiem, a numerem piętra. “The future,” he replies. As Laing, Tom Hiddleston is magnificently slippery, an “excellent specimen” whose application for residency was “very Byronic” and who has moved into the tower as an “investment in the future”. the most exciting film I've seen at #TIFF15. Their version of Ballard has the same blend of black humour and creeping horror that characterised their previous cross-generic collaborations such as Kill List and A Field in England. High-Rise ist ein Science Fiction-Film aus dem Jahr 2015 von Ben Wheatley mit Tom Hiddleston, Jeremy Irons und Luke Evans.. Ein Krieg der Stockwerke wird in … Holy shit, Wheatley. This list is for scripts or source material written or co-written by women. i'm a simple girl, i see tom hiddleston, i like it! High-Rise captures the excitement of that sleek, new way of living, and then takes malicious delight in its destruction. i just feel icky and uncomfy most of the movie :/. As antihero Dr Laing observes in the voiceover, he is “living in a future that had already taken place”. Ako dominantu okolia ho nazývajú, jednoducho, High-Rise. O bloku, w którym wszystko jest dozwolone. C'ho messo 4 ore per vederlo perché ogni volta che mia addormentavo dovevo tornare indietro. Revolving around a multi-level apartment building whose concrete battlements hold a collection of interesting residents, "High-Rise" focuses on Hiddleston's medical man who leads the audience through day-to-day life in the building. It definitely has its moments, but it’s not something I need to revisit or would recommend to someone. Because with the exception of A Field In England, I've pretty much hated every one of Ben Wheatley's films. High Rise is a divisive, complex movie that’s going to be tough for a lot of people to watch. It just sucks. TMDb You obviously understood the themes (class disparity, the dehumanizing nature of technology, thin veneer of "society") but you conveyed them in the most blisteringly backwards way possible. It isn't the great new change that it should be, that the brochure says. I love .. LOVE .. dystopian, and High Rise just seemed to fit the bill perfectly. I was actually looking forward to High-Rise, the latest offering from Ben Wheatley, who directed the marvelous A Field in England. This should be good. In this microcosmic society, class differences (middle and above) are as clearly signposted as the numbers on the floors and apartments. Yet, you bludgeon the viewer with a montage that elides the slow descent. An intoxicating parable driven by glamour and insanity. A step up from the anarchic experiments of his previous works, High-Rise sees Wheatley coming into his own as a director in complete control of his environment. His latest is an absurdist action flick about a gun deal gone wrong. "High-Rise": Anarchie im Hochhaus . I even gave Kill List a second chance, for fuck's sake. its got some cool shots and interesting ideas so i can see how movies like this can be loved and enjoyed but they are just not my cup of tea at all. Inhaltsangabe: Nach seiner Scheidung zieht der dreißigjährige Dr. Robert Laing (Tom Hiddleston) in ein ungewöhnliches Hochhaus. Also, Ben Wheatley has been a “director to watch” for some time, and I see why based on this and Free Fire. Unfortunately, this turns out to be one of the messiest films of the year for me. Yet High-Rise also stands on its own as a macabre mythologisation of the libertine excesses to be found in both the human heart and the free market – of any era. Much like the previous Ballard film adaptation Crash (the 1996 David Cronenberg movie about erotic car accidents, not the regrettable 2004 Oscar-winner), High-Rise is … No es una gran pelicula,pero Tom hizo muy bien su papel. Show All… Which one of you bastards is going to fuck me up the arse?". You either buy the ticket and take the ride or you hop off after the first 15min. old school, bonkers & brilliant, the Snowpiercer comparisons only cheapen it. its like a metaphor for society in like how its divided into upper and lower class, because there are people that live on the lower floor of the building and also the upper floor but then the people in the lower floor revolt against the people in the upper floor and then people go crazy and have orgies man its just like a perfect metaphor for capitalism man. This sobriety, alas, is entirely missing from Ben Wheatley’s High-Rise, leaching Ballard’s themes of their profundity.The British filmmaker uses the novel as a springboard for yet another garishly obvious class-warfare film, proving unsurprisingly incompatible with the author as a stylist. More details at Out of the demise of Rococo Disco Brutalism comes Thatcherite Iron-Clad Corporate Neo-Feudalism. I haven't seen most of these movies.…. Add to that the fact that I was really looking forward to High-Rise for some reason, and I don't know if there can be any other explanation, really. or all its inconveniences, Laing was satisfied with life in the high-rise…” This screen adaptation of. High-Rise est un film réalisé par Ben Wheatley avec Tom Hiddleston, Jeremy Irons. What makes the novel work is the slow steady decline into madness, the quiet accumulation of garbage, the rising tensions between the floors, the inexorable collapse of the environment (the newspaper floating on the pool's surface, a message from a ghost). Often described since its publication as unfilmable, it's seen a plethora of film makers express an interest in tackling it, including no less a figure than Nic Roeg. While Hiddleston's character rightly gets the main focus of the film, we are introduced to Sienna Miller's Charlotte, a free-spirit single mother, Luke Evans' Wilder, a documentarian, Elizabeth Moss' Helen, Wilder's very pregnant wife and Jeremy Irons' Mr. Royal, the architect of the tower. At work, Laing grapples with the human brain; we see him stripping a disembodied head of its facial features, the skin slipping away to reveal the skull beneath, an image that later recurs as part of a montage of chaos. Because this film really is Wheatley's career in a nutshell. On the higher floors, the wealthier residents touch the sky, while the “real families” are confined to lurk in the shadows nearer the ground. I can handle the truth. Ben Wheatley & Amy Jump's High-rise is one such lost possible dystopia imagined from countless back-of-glossy-heavyweight-magazine full-page adverts and album covers especially prized for their suitability as cocaine runways. But, the production, set/costume design, and music are all top notch, and the cast is 100 percent committed to the bit. I never would have expected that I'd get anywhere close to 100 likes on this…. High-Rise je ambicióznou adaptáciou rovnomenného románu J. G. Ballarda, predstaviteľa tzv. Genius of the Portishead/ABBA cover is sadly negated by the stupid closing Thatcher speech, but this'll do. High-Rise ( 2015) High-Rise. Made by fans in Auckland, New Zealand. There has to be. In concise fashion, Wheatley establishes the parameters of the drama: the drowned world of the future-retro setting, the tough sheen of the sociopolitical satire, the strange playfulness of the performances. Pessimistic worldviews. With its bestial behaviours and carnivalesque capers in a ’70s milieu, the film would make an excellent double-feature with Aaaaaaaah!, directed by Wheatley’s friend Steve Oram. It simply never adds up to anything of consequence. It's the only explanation. A couple of promising hits, a sophomore slump (Hitchcock remake of Rebecca), and then forgotten? Forse ha grandi ambizioni però è una palla. Fine film though. Atrocious lighting, sound and acting are but the ground floor of the problems with this tear-down of a film. Es triste ver como tratan a los animales,muy poca gente los quiere... y a nadie le importa los niños,sean honestos!

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